Barry White - You're The First. The Last, My Everything

Released in the winter of 1974, this classic soul record was massive in the UK charts. Barry was just having solo success after the hits he produced with the Love Unlimited Orchestra. The song original was based on a previously unheard country track by Peter Radcliffe. Barry changed the lyrics and the title, set it to a disco beat and classic single is made.

The single got to number 2 in America and did better here in the UK and got to number 1 for 2 weeks just before Christmas 1974, which Mud's Lonely This Christmas knocked it off the top for the converted Christmas number 1.

The Byrds - Mr Tambourine Man

This is a special post for me. Last week (July 29th) I turned 50! Yep, half century has landed and I'm just the same old me as usual, don't think that will ever change! This single by The Byrds was number one here in the UK the week I was born. This single originally written by Bob Dylan and came off his Another Side Of Bob Dylan album. Originally Bob's version ran for about 5 minutes, but to enable the band to receive radio play in America, they recorded the song to run for about two and a half minutes. This worked as the song reached number one in America and the UK in July 1965, not bad for a debut single!

The song, with it's 12 string Rickenbacker jangly guitar song played by Jim McGuinn was the only member of the band to play on the single after the producer thought the band weren't up to playing on the song at that point. They all sang on the single and later recordings featured all the members of the band. They say the sound of The Byrds is the sound which defined Folk Rock, with that signature jangly guitar sound.

To me when I hear this song, it sends me back to being a 7 year old child going to my friend Amanda's house and her Mum playing this single quite a lot of times. I just fell for those jangly 12 string guitar sounds which I still love hearing today. This is a real classic single which defined the times, a real pocket of history when you listen to it. Here's the single!

Free - All Right Now

What a classic rock single to mark my 100th post on my blog. Released in May 1970 and hit number 2 in the charts in June, this well known single from the Paul Rodgers led band hit the top of most of the charts around the world in 1970. The single was taken off the album Fire And Water which was a huge hit too thanks to the single. Free had mixed fortunes over the few years they were together and were formed in 1968 but had split up by 1973 due to personal differences and drug problems. All Right Now has taken on a life of it's own and continues to be played today. The single has various UK & US awards for the amount of radio play it has had since 1970. The song has been featured in various TV shows and adverts and has had it's fair share of cover versions too! It was re-released 1973 when it got to number 15 and again in 1991 when it got to number 8 thanks to a remix. Here's the single on the classic pink Island label

Philip Lynott - Yellow Pearl

Here is a great track from the late great Thin Lizzy leader. Back in 1980 Phil released a solo album, Solo In Soho and had a couple of reasonable hits for him. When Midge Ure was a temporary replacement for Gary Moore during Thin Lizzy's tour, between rehearsals and sound checks for the shows, Midge would often try to write the basic Yellow Pearl tune on the keyboards. When Phil was recording his album, he remembered the tune and asked Midge if they could work on it to make it a proper track. The song isn't about much apart from making a thought about the technology that was beginning to hit the west in the early 80's with a lot of it coming from Japan. Phil made the lyrics up as he sang and they basically are a load of lyrics that rhymed but nothing more that that, no hidden messages. It was released as a single in early 1981 and managed to reach number 56. It's release in clear vinyl managed to push it so far but not enough to reach the top 40.

In 1981 Top Of The Pops which had been a must watch TV show every Thursday night, was caught in the middle of a strike at the BBC which meant many shows were off air for the weeks of the strike. During this time, they had decided that the format of the show need updating to follow the trends of the new 1980's. The show complete with a new title sequence needed a new and exciting theme tune, as it had previously used Led Zeppelin's Whole Lotta Love. The producer of the show had liked Yellow Pearl and asked Phil to write a new theme tune for the show. Phil had asked what would they like and the reply was something like Yellow Pearl, so Phil replied "so why don't you use that?" The instrumental track was remixed by Midge and also featured his Ultravox band mate Chris Cross and Midge's old band drummer Rusty Egan (who were all involved with the New Romantic sound that was current in 1981). The single was remixed and reissued in a new sleeve which stated it was the theme to the show and reached a more respectable number 14 in the UK charts.

I love this track, it is such exciting electronic track and always manages to get on my playlists. I love electronic music anyhow and no doubt many a track since has been influenced by this single! I've included the remix version on my Spotify playlist as it is so much more full of life than the original track, although that is a great song in itself! Check out the Spotify link here http://open.spotify.com/user/1158943663/playlist/5Jn1HAojaqM3cPMko6MN4b

M - Pop Muzik

Released 35 years ago, this single is still very much remembered and liked and is often found on compilation albums. Robin Scott who was the brains behind M released this single in March 1979 as a song that told how pop music brought everyone together, a simple statement put on a simple pop track. When it was released it came on a double groove 12'' single which meant that the a side and the b side tracks were all on side a of the 12'' single, so it was pot luck when the needle landed to what track you actually listened to! A gimmick indeed but it annoyed a lot of people who only wanted the 12'' mix of the single!

The single reached number 2 in the UK in May 1979 but was stopped by Art Garfunkle's Bright Eyes. The single managed to get to Number 1 in the states almost 6 months after it peaking in the UK. It came off the album New York, London, Paris, Munich which failed to chart in the UK but managed a low entry in the US charts. Pop Muzik had a remix and re entered the charts in 1989 and managed to reach number 15. Here's the single

Stevie Wonder - Superstition

Another hit single from Stevie Wonder, this great track was released here in the UK in early 1973 and managed to climb to number 11 but did so much better in the States as it got to number 1. Stevie played many of the instruments on this single, including the drums, he wrote it and also produced the track which mentions a few of the superstitious tales of old. Taken from the 1972 album Talking Book which managed a number 16 chart placing here had enough sales to make it a gold album, but I don't think Stevie's UK success matched the States as in chart placing's. Shooting forward to 1986 and Peter Gabriel released Sledgehammer which gives a nod to Superstition. Here's the single

White Lies - To Lose My Life

White Lies are a band hailing from Ealing near London and originally were in a band called Fear Of Flying. They felt that the songs they were coming up with didn't fit in with that band so White Lies came from that band with a more darker sound to the material they had played previously. The band formed in late 2007 and began gigging with the new band and songs they had written. Almost straight away they began to have record company interest and signed to Fiction Records which was an off shoot from Polydor and started work on their debut album.

To Lose My Life was the title of the album and third single off the album and the single reached 34 in the UK charts. A mixture of rock, pop and punk with plenty of 80's sounds, the single and album sound like Echo & The Bunnymen with a bit of Billy Idol in places I think. But don't let that put you off, listen to then as it is a great debut album and a cracking single. Here's the single which was released in clear vinyl.

The Hollies - The Air That I Breathe

Going back to being an 8 year old, just really getting into music and listening to the radio and hearing all kinds of music mixing together on the radio. I remember hearing this single from an old band that were having hits before I was born! The Hollies were a band from Manchester who were towards the end of their chart hit career. They had a lot of hit singles here and in America during the 60's as part of the so called ''British invasion'' which happened after the Beatles had hit America.

Graham Nash had left the band to form Crosby, Stills & Nash. The Hollies hits were drying up and they recorded this track written by Albert Hammond & Mike Hazlewood, which was included on Hammonds solo album. The Hollies heard the album decided the track was their kind of track and complete with lush orchestral arrangements, this ballad hit the charts in February 1974 and raced up to number 2 and made the top 10 in America. It would be the last major hit for the band until the mid 80's re- issue of He Ain't Heavy, He's My Brother after an advert had used the song and pushed it to number 1!

The song has been covered many times by a number of different artists and has become a standard. In 1992 Radiohead were sued as the chords in their single Creep were very similar to the chords on the Hollies version of The Air That I Breathe so they were sued by the writers of the track and are now listed as co writers on the Radiohead track. Here's the single.

Sarah Brightman & Hot Gossip - I Lost My Heart To A Starship Trooper

Thanks to one of my TV heroes, Kenny Everett, this is where the Hot Gossip story began. Hot Gossip were a dance troupe that were more sexy with the clothes and moves than what Legs & Co were off Top Of The Pops. Kenny Everett had the dancers on his show and used them in odd sketches and because they were mostly gorgeous women, they became well known and talked about certainly at my school and no doubt loads of other schools around the UK in 1978.

Sarah Brightman was in her late teens when she was in the dance group and also was the one who could sing. To cash in the their popularity and of the disco boom they released this camp single I Lost My Heart To A Starship Trooper and was written by the two guys who were known in the UK as Typically Tropical who got to number one with Barbados in 1975. The song was a tongue in cheek name checking reference to Star Wars, Close Encounters, Star Trek, Flash Gordon and plenty of innuendo for good measure. The song did well and reached number 6 in the UK charts.

They tried to follow up the single with The Adventures Of The Love Crusader but it didn't do that much. Not long after that Sarah Brightman left Hot Gossip to concentrate on her singing career which was to scale enormous height over the next few years. A great song from an amazing show, here's the single

Roxy Music - Angel Eyes

A reformed Roxy Music recorded this classic single in 1979 and originally came off the album Manifesto but in more of a rockier feel to the track. This was the third single to be lifted off the album and to give it more of a chance in the charts, they re-recorded the song with a more disco feel to the song and also released a 12'' version too. This was enough to push the single to number 4. As a result of the single being a hit, copies of the album and CD releases replaced the rockier album track with the single version, I guess to help sell more copies of the album, which itself managed to get to number 7 in 1979.

I always enjoy listening to Roxy Music's singles from mid seventies to their end in the early 80's. They always managed to fill the tracks full of amazing sounding instruments, but in turn you can hear them all and they all sound clear crisp and not muddled at all! Here's the single

Kate Bush - Wow

OK, I wasn't going to put another Kate Bush single on here for a while but after yesterday's news (Friday 21st March) that she has announced she is going to play live for the first time in 35 years, it needed celebrating! Wow was released in March 1979 and came off her second album Lionheart. The album Lionheart was released in late 1978 and people say it was rush released and more or less had tracks left off from recording the first album. The first single Hammer Horror missed the top 40 so relief was all around when this charted. The song managed to get to number 14 and around this time she played live for the first time calling the tour, The Tour Of Life.

Part of the lyrics for Wow were about an aging gay actor and had a pretty good video to go with the single, much in the vein of the last few videos, when released on the compilation video, they made a compilation video of bits from the live tour for Wow. Kate's success I believe is mainly here in the UK and Ireland and I think she is more of a cult artist in America and Europe. A lot of artists around today say that Kate has been a huge influence and hopefully after this tour she just might release a new album and her back catalogue is in need of a re-master and a new compilation DVD would be great too!

Here's several shots of the single I've collected over the years starting with the UK release

Here's the Italian pressing

And Finally a rare Canadian pressing in yellow vinyl!

Blondie - Denis

The first charting single from Blondie, was a cover version of an American single released by Randy & The Rainbows (originally called Denise) in 1963. Blondie covered the track and put it on their second album Plastic Letters. It was released in February 1978 and climbed to number 2 but Kate Bush's Wuthering Heights kept it from the top spot. The single came complete with a fantastic video exposing Debbie Harry to the UK population and making her a pin up for a generation of boys to drool upon. Over the next few years Blondie would become one of the biggest bands in the world and have 6 number one singles in the UK. The success was pretty instant in the UK after Denis but it took a little longer in their home country. Here's the single

Elton John - Goodbye Yellow Brick Road

This was the second single off the album of the same name. This single is regarded as one of Elton's best ever songs, it was released in September 1973 and amongst the Glam Rock hits in the charts at that time, managed to get to number 6. Written by Elton and Bernie Taupin, the lyrics of the song are about Bernie wanting to get back to having a normal life and leaving Elton to live the rock n roll lifestyle! He still sings the song live at all his show but as the years go on, Elton has to drop the key of the song down as he can no longer reach the notes of the original song.

The album Goodbye Yellow Brick Road is about to get a re-release as a deluxe box set and should bring a lot of interest back in the album and Elton too! Here's the single

Michael Jackson - Billie Jean

My favourite Michael Jackson single ever, Billie Jean was released in January 1983 and went to number 1 in the UK. it was the second single to be released off the album Thriller (which has become the biggest selling album ever) and is one of Jackson's most popular songs. The song which many reviewers think is about a fan saying that he is the father of her child, Michael has claimed it was more about groupies that used to follow the Jackson 5 around when the band had hit the big time!

The video to the single was a great dance film, with Michael dancing on top of lighting up tiles, a result of a limited budget for the video, the director told Michael which tiles where lit and Michael told him not to worry and when filming, he just danced and hit those tiles! The video they say changed the way MTV used to show music vids, they never showed black artists until this video came out, it helped the single get to number 1 in the various charts in America, helped Thriller to sell bucket loads of copies and helped MTV to become established and become the station that it is today!

Billie Jean is also well known for the dance routine on the Motown 25th anniversary show, where Michael sang the song and showed the audience the Moonwalk for the first time. The show went down in history for that little dance move and whenever Billie Jean was sung, he had to do the Moonwalk! The track of the song, to me sounds quite sparse in production but is so sinister in the words and the way he sings the song, such a powerful performance. Here is the cover to the single and the scan of the vinyl, here as a 7'' red vinyl single from a pack of singles released of all his singles up to Bad.

Aretha Franklin - Until You Come Back To Me (That's What I'm Gonna Do)

This gem of a soul single was released in 1973 and sold over a million copies in the states and got to number 3 on the BIllboard chart but for some reason didn't get a UK release until 1974. The song was co written by Stevie Wonder in 1967 but he never released it himself until 1977. A song of someone waiting for their lover to return back to them, has the unmistakable notes of Aretha over it and it reached number 26 here but has become one of Aretha's most well known tracks.

To be honest, I'm not a huge Aretha Franklin fan, I think she wails and screeches too much for me, but on this track and another one of my Faves, Don't Play That Song, are tracks I still often play.

The Sounds - Painted By Numbers

This track should have been a huge hit here in the UK, but for some reason it was more or less ignored, a real shame. The Sounds are a Swedish group who have been around for over 10 years. The band have done a lot of touring around the world as support act and headliners and grown a steady following. Painted By Numbers comes from the album Dying To Say This To You and I first saw the single being played on MTV and thought it was a great single. Very much sounding New Wave, very much sounding like Blondie and I guess similar looking, certainly for the video with the black and white theme (aka Parallel Lines). The single was released in the UK in 2007 but a few months after I first saw it on MTV, maybe the rotation of the video helped get it released here but I feel was a little too late for them. It never charted and it disappeared without trace. Have a listen to it, it is a great tune that should have been bigger and everyone should have heard! Here's the cover

Feist - 1234

This catchy single was brought to our attention thanks to an advert for Apple Nano. Canadian singer Feist co wrote the song with Sally Seltmann and came from the album The Reminder which were both released in 2007. The single was slowly selling copies and suddenly after the advert was shown, the sales shot through the roof making it an instant hit here in the UK and America. It reached number 8 in September 2007 thanks to the advert, plus a really great video for the single. In the video you see Feist alone in a warehouse start to sing the song then suddenly there's a group of dancers behind her in what is a very cleverly edited video, made to look like it is a one take song and dance routine.

I think this is a really infectious to listen to and you can't help but sing along to the song, although the lyrics I think have more of a darker story to them. Here's the single

Foreigner - Waiting For A Girl Like You

This fantastic power ballad was a hit both sides of the Atlantic in November 1981. Foreigner were never that huge over here in the UK, I think because their sound had no place in the music scene of the UK between 1978 and 1982 as we had Punk, New Wave, Mod, Ska, Disco, Pop and New Romantic movements happening. They had minor hits here with Cold As Ice and Hot Blooded, but their sound was more American rock (not bad seeing as two members of the band were British).

This was a bit of a crossover for the band as their previous albums were more hard rock so this was a lot more easier to play on radio stations and it caught on with the listeners who got it into the charts. The single was the second from the album 4 and reached number 8 in the UK. It also featured Thomas Dolby on keyboards just before he started his solo career. Also this single spent 10 weeks stuck at number 2 in the American charts having two other singles jump over this track to get to number 1. The follow up singles never dented the UK top 40 which is a shame as they are great tracks from a really great album too. Here's the single

Giorgio - From Here To Eternity

Fresh from the futuristic sound of Donna Summer's I Feel Love, her producer Giorgio Moroder carried on the sounds of the synthesizer and produced this sizeable hit from 1977. It was released in September 1977 and reached number 16 in the UK charts. The single was mixed down from a 6 minute album track to produce this single version which was big in the discos along with Donna's single!

The track isn't really remembered that much, I hardly ever hear of people talking about it but it seems the album it came off (named after the single) seems to have been such an influential album in late 70's electronic music. It was one of the first electronic tracks I had heard (along with I Feel Love, Kraftwerk's Autobahn and Jean Michel Jarre's Oxygene) and it is what really got me into the sounds of synths and electronic music, that is why I still really love this single. Try and listen to it if you can! Here's the scan of the single

Toyah - It's A Mystery

This track formed part of an E.P called Four From Toyah. Released early in 1981 it was Toyah's breakthrough hit single after several years of building up a large fan base. It wasn't like anything she had released before and was weary of releasing the single as she didn't want to upset the fans, but it was the record company that suggested to Toyah that she recorded a cover version. It's A Mystery was in fact a cover version for another band and she wrote the lyrics for the track.

The single hit the charts and peaked in the UK at number 4 of 1981 and came from the album Anthem and having a hit album and single, gave her the boost she needed and began several years of successful releases in the UK. At this time, there wasn't always a video released with chart singles so she would appear on Top Of The Pops to promote this single, but her later singles all came with good videos. Here's the single cover