Philip Lynott - Yellow Pearl

Here is a great track from the late great Thin Lizzy leader. Back in 1980 Phil released a solo album, Solo In Soho and had a couple of reasonable hits for him. When Midge Ure was a temporary replacement for Gary Moore during Thin Lizzy's tour, between rehearsals and sound checks for the shows, Midge would often try to write the basic Yellow Pearl tune on the keyboards. When Phil was recording his album, he remembered the tune and asked Midge if they could work on it to make it a proper track. The song isn't about much apart from making a thought about the technology that was beginning to hit the west in the early 80's with a lot of it coming from Japan. Phil made the lyrics up as he sang and they basically are a load of lyrics that rhymed but nothing more that that, no hidden messages. It was released as a single in early 1981 and managed to reach number 56. It's release in clear vinyl managed to push it so far but not enough to reach the top 40.

In 1981 Top Of The Pops which had been a must watch TV show every Thursday night, was caught in the middle of a strike at the BBC which meant many shows were off air for the weeks of the strike. During this time, they had decided that the format of the show need updating to follow the trends of the new 1980's. The show complete with a new title sequence needed a new and exciting theme tune, as it had previously used Led Zeppelin's Whole Lotta Love. The producer of the show had liked Yellow Pearl and asked Phil to write a new theme tune for the show. Phil had asked what would they like and the reply was something like Yellow Pearl, so Phil replied "so why don't you use that?" The instrumental track was remixed by Midge and also featured his Ultravox band mate Chris Cross and Midge's old band drummer Rusty Egan (who were all involved with the New Romantic sound that was current in 1981). The single was remixed and reissued in a new sleeve which stated it was the theme to the show and reached a more respectable number 14 in the UK charts.

I love this track, it is such exciting electronic track and always manages to get on my playlists. I love electronic music anyhow and no doubt many a track since has been influenced by this single! I've included the remix version on my Spotify playlist as it is so much more full of life than the original track, although that is a great song in itself! Check out the Spotify link here http://open.spotify.com/user/1158943663/playlist/5Jn1HAojaqM3cPMko6MN4b

Toyah - It's A Mystery

This track formed part of an E.P called Four From Toyah. Released early in 1981 it was Toyah's breakthrough hit single after several years of building up a large fan base. It wasn't like anything she had released before and was weary of releasing the single as she didn't want to upset the fans, but it was the record company that suggested to Toyah that she recorded a cover version. It's A Mystery was in fact a cover version for another band and she wrote the lyrics for the track.

The single hit the charts and peaked in the UK at number 4 of 1981 and came from the album Anthem and having a hit album and single, gave her the boost she needed and began several years of successful releases in the UK. At this time, there wasn't always a video released with chart singles so she would appear on Top Of The Pops to promote this single, but her later singles all came with good videos. Here's the single cover

The Human League - Dare

I really love this album. This was the first CD I ever bought, even before I had a player to play it on! I bought the vinyl copy as a picture disc in December 1981 and played it several times and just thought it was a great pop album. It contains four hit singles, The Sound Of The Crowd, Love Action, Open Your Heart and the worldwide smash Don't You Want Me. It was released in October 1981 and later in 1982 in America and couldn't be any different than the previous two albums by the band.

The original line up of The Human League, split up in late 1980 (the other 2 members went to form Heaven 17) and with Phil Oakey guiding the band wanted to be more of a pop band than the electronic group the old band was. Virgin wanted hits from the band so they recruited Suzanne Sully & Joanne Catherall to salvage a European tour. Virgin put them with producer Martin Rushent and the result was Sound Of The Crowd which was a decent hit reaching 12 in the UK charts, Virgin were happy and making the album went ahead.

Love Action was released in the summer of 1981 and climbed to number 3, Open Your Heart reached number 6 and was used to market the albums following release. Dare went straight to number 1 in the album charts and at the end of 1981 Don't You Want Me was released. This song ended up being the biggest selling single in the UK in 1981 and also the Christmas number one of that year too! Not bad for a song that Phil Oakey didn't think was a hit, they even put it at the end of the album as they didn't think of it that much, it ended up being a worldwide smash!

The Human League rode the success of the album well, but came the day they had to follow it up. Not many bands can follow such a successful album and they realised that. I remember watching an interview with Martin Rushent and he said it was an album of the time, one that just came together. When it came to record the follow up they struggled as they didn't know how they came up with Dare, it just happened! Martin Rushent was working on remastering Dare and rumours of extra unreleased tracks that were recorded for the album were getting sorted, but Martin died before the project was sorted and I read that his son was concidering taking on the project, fingers crossed he does! Here is the classic album sleeve, an idea taken from Vogue magazine!

Ultravox - Vienna

January 15th 1981, this classic piece of a synth ballad, appeared out of nowhere. It was so different from what was happening in the charts at the time, but fitted in with the New Romantic scene so right. It summed up the time, all drama, over the top production, electronic music, plus the classic video that made the single showed that image and music could go together to make more of a complete package.

The single came off the album of the same name and was the third single off the L.P. Sleepwalk was the first and made a modest entry into the top 30, Passing Strangers was a great track but didn't crack the top 40. I guess it was such a risk to release a track like this at the time, after a flop single, would it get radio play or would anyone bother with it? It was released (like all Ultravox singles) in clear vinyl but it sold on the song, not the gimmick and reached number 2 for 4 weeks. The ground breaking video (slightly inspired by The Thrid Man) was cheaply shot in Covent Garden and in parts, in Austria as the video made you believe it all happened in Austria! I really believe it was this video that started the video revolution here in the UK. Here is the single, plus the clear vinyl scan!