Abba - Waterloo

Probably Eurovision's biggest success ever via Sweden. In 1974 Abba took part in the Eurovision Song Contest which took place on the 6th of April in Brighton with a catchy little ditty called Waterloo. Influence by the Glam Rock scene of the UK and dressed in the latest fashions of the time (remember folks this is mid 1970's) they performed the song in English and won the contest with just 24 points. They had previously tried for Eurovision in 1973 with Ring Ring but failed to get chosen by the Swedish broadcasters. So this time they knew what they had to do to win a place, but for them it was a small step in the band's idea of making the big time.

The single got to number 1 in the UK and also the top of the charts in several European countries too. Also it hit the charts in Australia and America too where Eurovision wasn't really that well known. Apparently the band have said that Waterloo is roughly based and influenced by Wizzard's single See My Baby Jive (a hit in 1973) which I never thought about until now, but there is a similar sound. Although they released another couple of singles in the UK they all flopped here until S.O.S was released in 1975 which got into the top 10 and the rest is history. This was the beginning of the Abba story, from this one contest that would shoot them into superstardom and worldwide stars.

Tonight's Eurovision Song Contest is to take place in Sweden, 39 years after Abba's triumph win, the band split up in 1982 and vowed they would never sing together again. There are a lot of rumours that they might appear tonight to sing Waterloo, seeing that the band have opened this year a museum in Sweden celebrating the bands career and that Agnetha Fältskog has just released a new album, have all helped to fuel the rumours. It would be nice to think they might get back together but it is doubtful! Here is the original single, plus a picture disc version of the single that was released here to celebrate the 30th anniversary.

George Michael - Older

George's third album was released in May 1996 and hit the number 1 position straight away. It spawned 6 singles that all reached the top 3 in the UK in 1996 - 1997. It was such an adult album for him, gone are the pop songs from the past and in came more serious pop tunes, with more of a darker and sad feel to the songs. Also I have always thought, it was George's coming out album, with references to one night stands in Fastlove, affairs and Russian roulette in Spinning The Wheel, also the way he began to dress was pushing towards the gay scene. Strings were brought in to contribute to he new sound as well as a jazz feel to some of the tracks. Released on Virgin records it became the labels fastest selling album ever and to date has sold just under 2 million copies in in Britain.

The first single to be released off the album was Jesus To A Child, which if I am honest I didn't like when it was a single but I grew to love as an album track. It was the next single and the great video for Fastlove that I really liked. It's a track I never get tired of listening to, a real feel good number! The next single was Spinning The Wheel which got to number 2 as girl power was just starting up here and the Spice Girls stopped it getting to number 1. Older was released in early 1997 with new tracks added and one of my fave tracks was I Can't Make You Love Me which I thought should have been a single on it's own. It was recorded live and the audience was dubbed off the track that was on the Older single and went to number 3. Star People 97 had a remix to push it to number 2 and the final single was You Have Been Loved which came with The Sweetest Thing 97, another remixed track which also got to number 2.

I've listened to the album myself when I've been really down, listened to it in the dark with just the music for company and I just love it. It's the only George Michael album I really like, I bought the follow up but it wasn't a patch on this although there was a couple of good tracks on it. If you get a chance to have a listen to it, I recommend it as it is such a good listen, if you already have the album, dig it out and give it another listen, you'll enjoy it!

Kraftwerk - The Model

Fitting with the fact that the Germans have landed in London, playing 8 nights at Tate Modern, I thought I'd Choose this single this week. This track originally was recorded and released in 1978, it came from the album The Man Machine but was never released as a single in the UK. Move forward 3 years to the release of the band's Computer World album and the single Computer Love. EMI decided to put The Model on the B Side of the track and the single got to the lower end of the top 40 charts. The DJ's had other ideas and started playing the B Side which made EMI swap the tracks over, so The Model became the A Side. By February 1982 the single reached number 1 and was in the top 75 for 20 weeks.

They never really had the chart success they really deserve, Autobahn was a classic and unusual sounding single back in 1975 and they have become pioneers of electronic music. I Saw them play live in 1992 in Sheffield and really they didn't do a great deal on stage but the presence of the band was enough, they had half a recording studio with them on stage but the music they created was mind blowing! The personnel in the band might have changed in the group with one original member, but we don't really care as the music speaks for itself, who knows they might even get round to releasing another album this year! Here's the single, a classic piece of electronic music that helped the soundtrack of the New Romantic movement too!

Slade - Merry Christmas Everybody

IT'S CHRISTMAS! A line towards the end of the song that Noddy shouts to us all in this, my all time favourite Christmas song. The track was released in 1973 and went straight to number 1, the bands third single to enter the charts at number 1, a feat that only the Beatles had achieved earlier! The demand for the single was such that Polydor had to have copies pressed up in Germany and America (which is where my copy came from), with half a million copies sold within the first week of the singles release!

It was recorded in America in September 1973 and the track was a mixture of odd bits of songs Noddy Holder and Jim Lea had written over the years. It was about a normal family enjoy the festive period while being optimistic about the future, with everyone having been through a bad time during the year (economy, strikes, a bad year for everyone!) The track stayed at number 1 for 5 weeks and stayed in the top 40 for 9 weeks in total. The track is always one that gets played the most with (according to Wikipedia) 42% of the worlds population has heard this track! Along with Wizzard, the single is always hitting the charts every year and even hitting the top 40 this year on downloads alone and they don't even sing the title anywhere in the song! For more of a read about the track, have a look on Wikipedia for an interesting story of the making of the single!

So here it is, the scan of the single in all it's beaten and worn glory, the American vinyl is slightly different with it being more of a solid feel, less flexible than a UK piece of vinyl!

On that note, I would like to wish all the people who visit my Blog a Merry Christmas Everybody! Please continue to visit the Blog and hope you enjoy the singles that I post up on here!

The Boomtown Rats - I Don't Like Mondays

This was the Rats second number 1 coming after Rat Trap in 1978. This track was released in 1979 and was based on a tragic shooting in America by Brenda Ann Spencer who killed two adults and injured several children and a policeman. When questioned about why she did it, she said "I Don't Like Mondays." Bob caught the story and built the song around the story. Known for being more of a punk band, this was quite a step away from their normal stuff, with the track being more string based and Johnny Fingers piano helping out turned this into a classic track.

The single also came with a lavish video which was quite ahead of all the videos at that time (I think they paved the way of how videos would be made for the next couple of years, till the New Romantics made them more of an art form). It was number one for 4 weeks in the UK but for obvious reasons it didn't get much radio play in America and suffered as a result. The song was performed at Live Aid when the band took the stage and Bob sang the line "What Reason Do You Need To Die" to a cheering stadium crowd!